Printed Matters, Editioned Works By Shepard Fairey
Opening Reception
Saturday, September 15, 2012, 6-10 PM
*The artist will not be in attendance at the opening.
Exhibition Dates
September 15-October 20, 2012
The Public Trust is pleased to present Printed Matters, a solo exhibition featuring editioned work of renowned artist Shepard Fairey. Printed Matters, is a continuous series of exhibitions, which focuses on the importance of printed material in Fairey’s art. Each exhibition highlights this significance by incorporating a variety of Shepard’s printed material; including serigraphs on paper, editions on wood, editions on metal, and fine art collage; with new works added for each venue, making each Printed Matters exhibition a unique experience. Beginning in 2010, the Printed Matters platform was first presented in Los Angeles and for its next installment will exhibit in Dallas, Texas at The Public Trust and will be on view from September 15-October 20, 2012.
Shepard states, “I’m a product of the era of mass production and the mass culture it has created. I can’t imagine my art practice without the influence of, and the use of, printing. Some of my biggest art influences were not paintings, but printed things like album covers, skateboard graphics, punk flyers, and t-shirt designs. When I discovered stencil making and screen-printing in high school, I used them to make t-shirts and stickers, but by college I began to use screen-printing to make art. I enjoyed illustration, photography, collage, and graphic design separately, but with screen-printing I could synthesize those techniques into an integrated final product. Screen-printing also provided latitude for experimentation and the ability to make multiples, and my style began to evolve as I explored the graphic nature of the medium. I tried to make images that would translate well to screen-print production. A harmony of beauty, power, and utility was my goal.
Some people say print is on its way out, that it will be wiped out by digital media, but I say you can never replace the provocative, tactile experience of an art print on the street or in a gallery. Printing still matters.”
